Oculus Guitars Australia
Hunter Valley, New South Wales

Handcrafted boutique instruments with a passion for native Australian tonewoods, exotics & reclaimed timbers.

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Native Australian Tonewoods100% HandcraftedExotic TimbersReclaimed WoodCustom Boutique InstrumentsHunter Valley NSWNative Australian Tonewoods100% HandcraftedExotic TimbersReclaimed WoodCustom Boutique InstrumentsHunter Valley NSW
Hamish Mitchell — Oculus Guitars Australia
Hamish Mitchell · Luthier · Hunter Valley NSW

Built by Hand.
Driven by Craft.

Oculus Guitars Australia is the workshop of Hamish Mitchell — a locally born luthier from the Hunter Valley with a passion for pushing the boundaries of what Australian timber can achieve in a high-end instrument.

Specialising in native Australian tonewoods, alternative tonewoods and exotic species, every instrument is conceived, shaped, and finished entirely by hand. Hamish sources salvaged and reclaimed timbers wherever possible — preventing waste, supporting local communities, and showcasing the extraordinary character of wood that would otherwise be lost.

Oculus builds have found their way into the hands of local musicians, Australian touring artists, and global professionals playing the world's biggest stages.

100%
Handcrafted
AU
Native Tonewoods
Custom Options

The Wood Defines the Voice

From the eucalypt forests of NSW to the rainforests of Queensland, reclaimed from local communities, and complemented by the finest exotic tonewoods the world has to offer — every species chosen for its character, resonance, and story.

Native Australian
Australian Red Cedar
Toona Ciliata · NSW
Lightweight with mahogany-like tonal character. Exceptional resonance and player comfort.
Silver Quandong
Elaeocarpus Grandis · QLD / NSW
An emerging favourite among serious Australian luthiers. Silver Quandong's defining tonal quality is its exceptional stiffness-to-weight ratio — lightweight yet remarkably rigid, allowing the wood to vibrate freely and generate a bright, clear, resonant voice well-suited to a wide range of musical styles. The uniform grain structure ensures consistent acoustic response across the entire instrument. Creamy white to pale straw in colour with characteristic long straight vessel lines, it finishes and glues superbly. Increasingly sought for soundboards, backs and sides, and solid body electric builds — a tonal profile described as sitting between mahogany and maple, with the clarity of one and the warmth of the other. Plantation grown, and a genuinely sustainable native option.
Silky Oak
Grevillea Robusta · QLD / NSW
Not a true oak — Silky Oak is a proteaceae native dubbed "the most workable wood in the world" in the 1800s. Its tonal signature is often compared to maple: super stiff yet light, with clear, focused mids and excellent projection. Luthier John Greven has long championed Australian Silky Oak, noting instruments "sound vintage right out of the box." Quartersawn pieces reveal spectacular iridescent ray fleck figure — pinks, reds, and golden tones that shift like lacewood under light. Luthier builders report it sits tonally close to Honduran Mahogany with added clarity and top-end definition, while achieving full tonal richness faster than denser tropical hardwoods. Used by Larrivée and Ibanez on select builds.
Tasmanian Blackwood
Acacia Melanoxylon
Rich warm tone with exceptional figure. One of Australia's most prized tonewoods.
Otway Blackwood
Acacia Melanoxylon · Otway Ranges, VIC
The same species as Tasmanian Blackwood, but grown in the Otway Ranges of south-west Victoria — where unique conditions produce timber celebrated by Maton, Cole Clark, and luthiers worldwide. Sustainably harvested by Murray & James Kidman of Otway Tonewoods since 1985, and genetically linked to Hawaiian Koa.
Bunya
Araucaria Bidwillii · QLD
One of the oldest living tree lineages on earth — the Araucariaceae family dates to the Jurassic period, with fossil records of cone morphology nearly identical to modern Bunya found across the UK and South America. Dinosaurs and Australian megafauna are thought to have been its primary seed dispersers. A sacred tree to Aboriginal peoples across Queensland and New South Wales, the annual Bunya nut harvest was one of the great gathering events of pre-colonial Australia. As a tonewood, Bunya is 10–20% stronger than Engelmann Spruce with an outstanding stiffness-to-weight ratio, fine even texture, straight tight grain, and faint growth rings. It delivers a direct, strong, earthy and evocative tone with more pronounced midrange than spruce — described by players as snappy and responsive, closer to Red Spruce than Sitka. Colour is similar to Sitka but boards often display pink, gold and blue hues. Glues and works beautifully. Pioneered by Maton in the mid-1990s and now responsible for around 30% of Cole Clark soundboard sales — reaching full maturity in 80 years versus 300+ for spruce.
Palemoon Ebony
Australian Native
Rare and dense with dramatic pale streaking through jet-black grain. A collector's timber.
Aus. Desert Rosewood
Acacia Rhodoxylon · Arid Australia
A signature Oculus tonewood — rarely used by other builders, and one of the most visually and tonally extraordinary species available anywhere in the world. Rich chatoyance and deep chocolate colouration give it the immediate visual presence of the finest Amazonian rosewoods, while its tonal properties represent a genuine hybrid of Rosewood and Ebony. It carries the complex harmonic depth and warmth of premium rosewood alongside the density, stiffness, and Janka hardness approaching ebony — one of the hardest tonewoods on earth. The result is an instrument with exceptional sustain, clarity, note separation, and a voice that is unmistakably its own. Extremely rare, extremely rewarding — and an Oculus speciality.
Ringed Gidgee
Acacia Cambagei
One of Australia's hardest tonewoods — incredibly dense with a rich, dark figure.
Queensland Maple
Flindersia Brayleyana · Far North QLD
Despite the name, bears no relation to American maple — it is Australia's answer to Honduras Mahogany, and increasingly recognised as a superior one. Light, stable, and strong with an evenly dispersed frequency response: warm, sonorous, and neutral with a touch more snap than mahogany. NK Forster calls it "a nice crisp lightweight mahogany — sonorous, stable and co-operative." Cole Clark describe it as "neutral sounding like South American Mahogany with a touch more snap." Maton have used it as the backbone of their sound for decades. Highly figured pieces — fiddleback, quilted — rival anything the forest world has to offer.
Maple Silkwood
Flindersia Pimenteliana · Far North QLD
Our most premium figured top option — and one of the most visually extraordinary tonewoods available anywhere. A close relative of Queensland Maple growing in the rainforests between the Daintree and Rockingham Bay, Maple Silkwood produces the same warm, mahogany-like tonal foundation but with a more pronounced bottom end and enhanced bass response. What sets it apart is the figure: select pieces display stunning waterfall and quilted patterns with a light pinkish apricot colouration and extraordinary chatoyance that shifts and shimmers under light. Tonally balanced and highly stable, finishing to a lustrous silky surface. Most natural stands are now protected, making instrument-grade pieces genuinely rare — each set is a one-of-a-kind visual and tonal event.
Mountain Ash
Eucalyptus Regnans · VIC / TAS
The world's tallest flowering plant — reaching over 100m in optimal conditions — and the most musical of the eucalyptus tonewoods. Light, very stable, and very strong, Mountain Ash delivers warm, clear tone described by luthiers as a cross between mahogany and maple: the warmth and body of one, the clarity and top-end definition of the other. Figuring ranges from plain and straight-grained through to spectacular fiddleback. Takes stain superbly and finishes beautifully. Maton found it more stable than Blackwood after re-sawing for electric guitar caps. Jack Spira, one of Australia's most respected luthiers, notes: "I love the sound of it as back and sides — warm and clear at the same time. Anyone who likes a mahogany Martin 000 would like the sound of Mountain Ash." Also traded as Victorian Ash and Tasmanian Oak.
Alpine Stringybark
Eucalyptus Delegatensis · VIC / NSW / TAS
A subalpine eucalypt growing at higher elevations than any other significant Australian timber species. Pale straw to pinkish heartwood with a straight, open grain and conspicuous growth rings — light, strong, easily worked, and excellent to bend and finish. Closely related to Mountain Ash, it shares that family's warm, clear tonal character with its own distinct voice shaped by altitude and cold-country growth. Also traded as Victorian Ash and Tasmanian Oak.
Illawarra Plum
Podocarpus Elatus · NSW
A rare native podocarp with fine texture and a rich reddish-brown hue.
Blackbean
Castanospermum Australe · QLD
A stunning Queensland rainforest timber with deep chocolate-brown grain and exceptional tonal qualities. Dense and resonant with a distinctive voice — prized by luthiers for its unique visual presence and musical character.
Native Olive "Dooral"
Notelaea · Australian Native
Celebrated for incredible stability and stiffness, with a pure bell-like tone and exceptional resonance. One of the most tonally distinctive native species available — a rare find that rewards players seeking clarity, sustain, and a voice entirely its own.
Camphor Laurel
Cinnamomum Camphora · Reclaimed
Our most sustainable tonewood — and arguably our most striking. Camphor Laurel is a declared invasive weed species across eastern Australia, meaning every piece removed is a direct win for native ecosystems. Building with it transforms an environmental problem into a world-class instrument. Prized for its dramatic curly grain, rich warm aroma, crisp tonal character, and excellent stability — it delivers visually and sonically at the highest level.
Exotic & International
Honduras Mahogany
Swietenia Macrophylla
The benchmark tonewood. Warm, full midrange with excellent sustain and workability.
African Mahogany
Khaya · West Africa
Slightly brighter than Honduras with open grain and excellent acoustic projection.
Indian Rosewood
Dalbergia Latifolia
Rich, complex tone with strong bass and sustain — a classic fingerboard species.
New Guinea Rosewood
Pterocarpus Indicus
Exceptional figure with a bell-like clarity and resonance that sits uniquely between worlds — the brightness and articulation of Ash or Alder, with the rich low-mid body and warmth of Mahogany. A tonal hybrid that covers enormous musical ground in a single build.
African Blackwood
Dalbergia Melanoxylon
Exceptionally dense with a focused, cutting tone. One of the hardest tonewoods available.
Indian & African Ebony
Diospyros Species
Ultra-dense and dark with a bright, articulate snap. The premium fingerboard choice.
Monkeypod
Samanea Saman
Warm, resonant, and visually dramatic — large figured slabs with striking character.
Rock Maple
Acer Saccharum
Hard, dense, and articulate. The classic neck and top wood — bright with excellent sustain.
Big Leaf Maple
Acer Macrophyllum
Prized for dramatic figure — quilted, flamed, and bird's-eye patterns for stunning tops.
Red Leaf Maple
Acer Rubrum
Warmer than hard maple with beautiful autumnal figure — excellent for carved tops.
Mango
Mangifera Indica
Warm and punchy with highly variable figure — each piece completely unique.
Ash
Fraxinus · Various
Open-pored, bright and snappy — the classic Fender body wood with excellent clarity and cut.
Alder
Alnus · Various
Balanced, even tone with full mids. Lightweight and extremely player-friendly.
Finishing

Nitrocellulose Lacquer

Oculus specialises in nitrocellulose lacquer finishing — the same material used on the finest vintage instruments of the 1950s and '60s. Nitro breathes with the wood, ages beautifully, and allows the instrument to resonate more freely than modern polyester alternatives.

Hamish offers both vintage-correct nitro — matching the exact formulations and application methods of the golden era — and aged relic work, crafting instruments that wear the marks of a life fully played.

Vintage-Correct Nitro
Period-accurate formulations and application — for players who want the real thing.
Aged Relic Work
Authentic wear patterns crafted by hand — instruments that look and feel genuinely played.
Custom Colours
Vintage sunbursts, period-correct solids, or entirely bespoke colour treatments.

From the Workshop

View on Instagram →
Coming Soon

Professional photography of finished instruments is in progress. Each build deserves to be seen properly.

In the meantime, follow along on Instagram and Facebook for build progress, new commissions, and work coming off the bench.

Instagram @kvlt_88 Facebook · Oculus Guitars Australia

The Instruments

Every Oculus model is a distinct proposition — a considered instrument built around a clear tonal identity, a specific player, and an unwillingness to compromise on execution.

Flagship · Single Cut

The Old Boy

Standard

The Old Boy Standard is the definitive Oculus instrument — a single-cut carved-top electric that draws its lineage from the great single-cut tradition while refusing to simply repeat it. Hand-carved top, set neck construction, and deep body resonance give it the warmth, sustain, and dimensional feel that define the form at its finest.

Every Standard features a highly figured top drawn from the Oculus Private Stash — pieces selected for their exceptional visual character and acoustic quality — finished in rich nitrocellulose burst treatments that showcase the figure and deepen over time. The slim 60s D neck profile keeps the feel fast and familiar, while the signature white resin inlays inset with Gold and Copper vein give the fretboard an identity unlike anything else in production lutherie.

A humbucker at the bridge and P90 at the neck cover enormous tonal ground. Hardware exclusively from Aldridge Empire — Brass, Duralinium, Aluminium, Stainless Steel, and German Steel. No zinc alloy anywhere on the instrument.

Specification
BodySingle Cut · Hand-Carved Top
ConstructionSet Neck
PickupsHumbucker Bridge · P90 Neck
NeckSlim 60s D · Set Neck
InlaysWhite Resin · Gold & Copper Vein
TopHighly Figured · Private Stash
HardwareAldridge Empire · Brass / Duralinium / Stainless
FinishNitrocellulose Burst
Flagship Sibling · Single Cut

The Old Boy

Nano

Where the Standard is the full expression of the Old Boy platform, the Nano strips it back to the essentials — a smaller body, shorter scale, flat top construction, and a directness of character reminiscent of the great Les Paul Junior and Special tradition. Lighter. More immediate. Every ounce of tone, none of the excess.

The flat top construction removes the carve and brings the Nano closer to the wood. Shares the Standard's slim 60s D neck and the signature white resin inlays with Gold and Copper vein — the same authored identity, a different conversation.

Aldridge Empire hardware throughout. No zinc alloy. A guitar for players who want the Old Boy voice with the raw immediacy of a Special.

Specification
BodySingle Cut · Flat Top · Smaller Body
CharacterLes Paul Junior / Special Lineage
PickupsHumbucker Bridge · P90 Neck
NeckSlim 60s D Profile
InlaysWhite Resin · Gold & Copper Vein
HardwareAldridge Empire · No Zinc Alloy
FinishNitrocellulose Lacquer
Offset · Standard & Baritone

Mondo

The Mondo is Oculus's offset platform — a design shaped by the resurgence of the offset body in modern lutherie, and informed by the pioneering design work of Dennis Fano, whose rethinking of classic offset proportions brought the format back into serious instrument conversation. The Mondo carries that spirit forward with more mass, more authority, and a character that reaches comfortably into baritone territory without losing the offset's inherent openness and harmonic bloom. Available in both standard and baritone scale lengths.

In baritone configuration it becomes something genuinely singular — extended range with full-body offset character, a combination that suits film composers, ambient players, and heavy-music guitarists equally.

Specification
BodyOffset · Retro Offset Design
ScaleStandard or Baritone
PickupsHumbucker Bridge · P90 Neck
HardwareAldridge Empire · No Zinc Alloy
FinishNitrocellulose · Custom Range
Modern Super Strat · 26.5" Baritone

Katana

Built for precision — a modern super strat platform designed for high-gain performance, technical playing, and extended range capability. Available in 26.5" baritone scale, it delivers the tight, focused low-end response and percussive string definition that modern metal and shred players demand.

Where the Old Boy is about warmth and tradition reinvented, the Katana is about velocity, clarity, and authority under fire. Contoured, balanced, and built for players who live in the upper register and the lower tunings simultaneously.

Specification
BodyModern Super Strat
Scale26.5" Baritone
PickupsHumbucker Bridge · P90 Neck
CharacterHigh Gain · Technical · Modern Metal
FinishNitrocellulose Lacquer
Extended Range · 7-String & Baritone · 27"

Pilgrim

An Ibanez RG-inspired super strat platform built primarily for 7-string and baritone configurations at 27" scale. Featuring a Devil Tail headstock and a thin U neck profile — designed for players who travel deep into low registers without sacrificing playability, speed, or ergonomic refinement.

The 27" scale provides the tension and low-end definition that extended range demands, while the thin U neck keeps access fast and familiar. The Devil Tail headstock gives the Pilgrim an unmistakably authored visual identity — immediately recognisable as Oculus.

Specification
BodyRG-Inspired Super Strat
Scale27" Baritone
Strings7-String · Baritone 6-String
NeckThin U Profile
HeadstockDevil Tail
PickupsHumbucker Bridge · P90 Neck
Double Cut T-Style · Set Neck

DCT

Oculus's take on the double-cut T-style — reimagined with a set neck, full body binding, headstock binding, and block inlays that elevate it well beyond its reference point. The comfort and openness of the classic T-body silhouette with the resonance, warmth, and sustain that set-neck construction brings.

Available across a wide range of custom finishes and tonewood options. Every build carries the signature white resin block inlays with gold and copper vein, Aldridge Empire hardware, and zero zinc alloy anywhere on the instrument.

Specification
BodyDouble Cut T-Style
ConstructionSet Neck
BindingBody + Headstock
InlaysWhite Resin Block · Gold & Copper Vein
HardwareAldridge Empire · No Zinc Alloy
FinishNitrocellulose · Full Custom Range
Expanding Lineup

Additional Oculus models are currently in development. Each will carry the same commitment to Australian tonewoods, authored design identity, and uncompromising construction that defines the existing range.

Commission a Custom Build

Beyond the Guitar

Boutique effect pedals and high-gain preamp circuits, hand-wired to the same uncompromising standard as every Oculus instrument. Every pedal is treated as both a musical tool and a design object — authored, collectible, and built to perform.

The Warp Rat is built in collaboration with Wyong Road Electronics — the rest of the lineup is solely an Oculus Guitars production.

Ophidian Drive
Aggressive Drive · Boost

A precision aggressive overdrive and boost built for tighter low end, sharper pick attack, and articulate gain shaping. Fast, clear, and authoritative — framed as a premium boutique object with occult serpent imagery and black-and-gold presentation.

Nami Octave
Nami Octave
Octave · Voice Shaping

A modernised octave design built around separate voice architecture rather than a flat recreation of a single vintage circuit. Harmonically enhancing saturation path, multiple octave voices, and a more layered, musical relationship between classic octave character and modern usability.

Reliquary
Reliquary
Prestige Overdrive

A prestige germanium harmonic overdrive occupying the premium boutique space with a sense of ritual, grandeur, and collectibility. Rich, amp-like, dynamic, and emotionally satisfying under the fingers. Cathedral tracery, stained-glass influence, and limited-edition presence — No. 1/50.

The Tzar
The Tzar
Dual Overdrive · Cascading Gain Engine

A dual overdrive and cascading gain engine designed for stacked textures, layered drive behaviour, and commanding tonal presence. Two fully independent channels — each with its own drive, volume, tone, and boost — combine into one theatrical, regal statement piece.

Terminus
Terminus
Intelligent Noise Gate

A boutique noise gate that treats a normally utilitarian category with genuine seriousness. Fast, precise, and disciplined — preserving attack and feel without crude chatter or blunt gating. Sleek, architectural, and minimal in presentation. A precision tool for players who demand control without compromise.

Concordia
Concordia
Dual-Engine Boutique Fuzz Platform

A flagship dual-engine fuzz platform built around authentic boutique circuit DNA on both sides — SOL and LUNA. Each engine is its own protected tonal world before combining into a carefully voiced post-mix section. Nuanced, source-faithful, interactive, and premium in both sonic and visual identity.

SOL
SOL
Standalone Boutique Fuzz

A standalone boutique fuzz derived from the Concordia platform, focused on direct input interaction, transistor character, and expressive fuzz behaviour. Touch-sensitive, intimate, and player-first — classic fuzz energy handled with boutique refinement. Also functions as a transistor-auditioning and development platform.

Collab
Warp Rat
Warp Rat
Rat-Derived Distortion · Sub-Octave

A Rat-derived distortion expanded into a full boutique instrument by combining aggressive distortion DNA with a separately generated sub-octave path and active summing architecture. Extreme, thick, and alive — with Skaven and warpstone world-building making it one of the most identity-rich pedals in the lineup. In collaboration with Wyong Road Electronics.

Boutique Amp Series
Monsters of High Gain

Three circuits. Three legends. The most revered high-gain preamp DNA in the world — hand-wired into pedal format and built for the stage.

Nocturne
Nocturne
High Gain Preamp · Channel One
Voiced after a legendary modern Canadian high-gain channel — surgical clarity, razor-tight low end

Exceptional note separation even at extreme gain. A precision instrument for lead players who demand definition in a dense mix.

Ursus MK-IV
Ursus MK-IV
High Gain Preamp · Channel Two
The more powerful sibling from the same Canadian lineage — massive low-end authority and brutal saturation

Where the Nocturne cuts, the Ursus crushes. A wall of low-end authority and high-saturation gain that rewards open tunings and heavy hands.

Ragnarok
Ragnarok
High Gain Preamp · German Engineering
Drawn from iconic German boutique preamp architecture — rich harmonic complexity, enormous dynamic range

The most versatile of the trio. Chewy mids, massive dynamics, and a gain voice equally at home crushing rhythms or singing leads.

Oculus Amps

Boutique amplifier platforms built around big-iron authority, pentode articulation, and a distinctly authored British-modern voice. The same seriousness of craft that defines every Oculus instrument — now applied to the amplifier.

Authored, Not Cloned.

Oculus Amps is not a collection of faceless circuits or faithful recreations of existing designs. It is a family of amplifier platforms conceived with a coherent identity — articulate, harmonically rich, dynamically responsive, and built around real feel rather than spec-sheet theatre.

Where most boutique amplifiers chase vintage nostalgia or sterile modern precision, Oculus aims for a middle path: amps that feel alive, authored, and musically addictive, while offering practical control and professional-level authority.

Circuit authenticity over trend-following. Meaningful voicing choices over option overload. Premium physicality from chassis to transformer — because the build is the tone.

Core Voice

British authority, pentode articulation, harmonic depth, percussive low end, and a modern-but-organic gain feel.

Design Principle

Big iron, disciplined voicing, meaningful controls, and amplifier platforms that feel authored rather than copied.

Build Philosophy

Aluminium chassis, overspecified transformers, grounding discipline, and conservative thermal thinking — boutique feel without boutique fragility.

Flagship Platform
In Development

50W EL34 Head

5879 Pentode Front End · Fixed-Bias Push-Pull

The flagship Oculus platform combines premium British-derived authority with a more textured, articulate front-end character than typical all-triode high-gain designs. Built around a 5879 pentode preamp architecture — a core Oculus voice signature — feeding a fixed-bias EL34 push-pull output section with overspecified iron throughout.

The tonal lineage draws from the harmonic richness and dynamic touch of Dr. Z, Bad Cat, and Matchless — bloom, dimensionality, and a front end that breathes with the player — combined with the firebreathing power, voicing authority, and percussive low-end discipline of Dave Friedman and Mike Fortin's finest work. The result is not an imitation of any of them. It is a platform that occupies its own space — premium, alive, and unmistakably Oculus.

Covering rich rock gain, tighter modern voicing, and a broad range of expressive lead and rhythm applications — all while retaining harmonic depth, dynamic composure, and the tactile feel that separates a truly great amplifier from a functional one.

Architecture
Front End 5879 Pentode Preamp
Power Section EL34 Fixed-Bias Push-Pull
Phase Inverter Long-Tail-Pair
Master Volume PPIMV
Negative Feedback 3-Way Rear Toggle
Tone Stack TMB + Presence / Resonance
Voicing Era 1 / Era 2 Toggle
Transformer 100W-Class Output · Big Iron
Voicing Modes
Era 1

Classic Rock Authority

Rich, articulate, and harmonically rewarding. An 80s / 90s high-gain rock sensibility that delivers sustained authority while staying open enough to preserve texture, dynamic nuance, and the feel that makes a great rhythm tone come alive.

Era 2

Modern High-Gain Discipline

Greater saturation, tighter low-end control, more percussive attack, and rhythmic immediacy — while retaining clarity and boutique harmonic integrity. Era 2 is not a small EQ shift. It is a genuinely different amplifier personality with clear modern intent.

Future Platform

30W EL84 Platform

A future 30-watt sibling platform built around a 5879 front end feeding an EL84-family output section. Not a smaller clone of the flagship — a related platform with its own distinct identity, voiced for chime, bloom, immediacy, and power-stage participation.

Intended for players in indie, rock, and expressive edge-of-breakup territory — sharing the Oculus DNA while shifting toward premium Matchless / Dr. Z / Bad Cat tonal territory.

"Amplifiers that feel bold, dimensional, tactile, and confidence-giving — rewarding precise playing while sounding rich and inspiring when pushed hard."

Oculus Amps — In Development

Register Interest

The Build Process

01
Consultation
Every build starts with a conversation. We discuss your playing style, tonal goals, aesthetic vision, and any ergonomic needs.
02
Timber Selection
Hamish hand-selects timber from his collection of native Australian species, reclaimed woods, and curated exotics — sourcing new material specifically for your build if needed.
03
Shaping
Bodies and necks shaped entirely by hand using traditional tools and precision routing. Each joint fitted and checked individually.
04
Finishing
Nitrocellulose lacquer, oil, or custom finish options applied in careful stages — allowing the wood's natural character to breathe and resonate freely.
05
Final Setup
Every instrument leaves the workshop fully set up — intonation, action, and hardware dialled to your specification.

Craft Without Compromise

Locally Rooted
Born and bred in the Hunter Valley. Hamish is committed to sourcing within the local community and showcasing Australian timber to the world.
Sustainably Minded
Salvaged and reclaimed timber is a cornerstone of the Oculus ethos — preventing waste and giving extraordinary wood a second life as a musical instrument.
Uncompromising Quality
Every instrument is built to be played hard — from local stages to global arenas. The standard is the same regardless of budget or build type.

"I want every guitar I build to tell the story of where it came from — the country, the tree, the hands that shaped it."

— Hamish

Hamish has been refining his craft in the Hunter Valley, developing an approach that sits at the intersection of traditional lutherie techniques and a distinctly Australian material sensibility. His clients range from bedroom players to artists performing in the world's largest venues — united by a shared appreciation for instruments that are genuinely one-of-a-kind.

Start Your Build

Every Oculus instrument is built to order. Get in touch to discuss your vision — from a simple custom spec to a fully bespoke build from the ground up.

Alternatively, reach out via Instagram DM or Facebook message. Hamish personally responds to every enquiry.